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《沁园春·花亦无知》原文翻译及赏析_作者郑燮花亦无知月亦无聊酒亦无灵把夭桃斫断煞他风景鹦哥煮熟佐我杯羹焚砚烧书椎琴裂画毁尽文章抹尽名荥阳郑有慕歌家世乞食风情单寒骨相难更笑席帽青衫太瘦生看蓬门秋草年年破巷疏窗细雨夜夜孤灯难道天公还箝恨口不许长吁一两声癫狂甚取乌丝百幅细写凄清「备用QQ—950216—」「客服聊天系统—916.tw—」【开户|上分|注册|公司|经理】
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《醉落魄·春阴漠漠》原文翻译及赏析_作者管鉴春阴漠漠海棠花底东风恶人情不似春情薄守定花枝不放花零落绿尊细细供春酌酒醒无奈愁如昨殷勤待与东风约莫苦吹花何似吹愁却
《春日忆李白》原文翻译及赏析_作者杜甫白也诗无敌飘然思不群清新庾开府俊逸鲍参军渭北春天树江东日暮云何时一樽酒重与细论文
《论诗三十首·十三》原文翻译及赏析_作者元好问万古文章有坦途纵横谁似玉川卢真书不入今人眼儿辈从教鬼画符这首诗是批评卢仝的追求险怪的诗风中唐时追求险怪诗风的主要是韩孟诗派韩愈的诗风的主要特点是深险怪僻好追求奇特的形象他善于捕捉和表现变态百出的景物展开丰富奇特的想象怪幻诡谲的构思创造匪夷所思的形象以文为诗用奇字造拗句押险韵避熟就生因难见巧韩孟诗派开一代诗风在创造出雄奇险怪的意象在反对传统锐意创新方面做出了突出的贡献但也难免流入另一种险怪艰奥拼凑堆砌玩弄技巧的形式主义卢仝受到韩愈的影响诗作过于好奇逞怪元好问否定了这种诗歌风格认为这种创作是鬼画符
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